June 16, 2013

    I’m watching True Blood



“Fucking finally!”



    
    
        8187 others are also watching.
    
    
    True Blood on GetGlue.com

I’m watching True Blood

“Fucking finally!”

8187 others are also watching. True Blood on GetGlue.com

June 16, 2013

    I just unlocked the True Blood Season 5 Marathon: Bill sticker on GetGlue



    
    
        1975 others have also unlocked the True Blood Season 5 Marathon: Bill sticker on GetGlue.com
    
    



    You’re watching the Season 5 Marathon on HBO2 in anticipation for tonight’s Season 6 Premiere!  Share this one proudly. It’s from our friends at HBO.

I just unlocked the True Blood Season 5 Marathon: Bill sticker on GetGlue

1975 others have also unlocked the True Blood Season 5 Marathon: Bill sticker on GetGlue.com

You’re watching the Season 5 Marathon on HBO2 in anticipation for tonight’s Season 6 Premiere! Share this one proudly. It’s from our friends at HBO.

June 13, 2013
adapto:

Marina Abramovic by Mark Hartman

adapto:

Marina Abramovic by Mark Hartman

June 13, 2013

sophilalala:

Rhythm 0:
To test the limits of the relationship between performer and audience, Marina Abramović assigned a passive role to herself and allowed her audience to do “anything” to her using the 72 carefully chosen objects on the table next to her.

Instructions
There are 72 objects on the table that can be used on me as desired.

Performance
I am the object. During this time I take full responsibility.

6 hours (8 pm-2 am)
Studio Morra, Naples

List of some of the objects on the table:
gun, bullet, comb, whip, lipstick, pocket knife, perfume, cotton, flowers, matches, rose, candle, water, scarf, mirror, polaroid camera, chains, nails, needle, brush, bandage, scissors, pen, book, hat, handkerchief, kitchen knife, hammer, saw, newspaper, bread, wine, honey, salt, sugar, soap, cake, scalpel, metal spear, box of razor blades, flute, band aid, alcohol, coat, shoes, chair, grapes, olive oil, rosemary branch, apple…


Initially, members of the audience reacted with caution and modesty, but as time passed (and the artist remained impassive) people began to act more aggressively. As Abramović described it later:

“There was this person who cut my neck with a razor and drank my blood. There was another who gave me a rose and a third person who cut my clothes and who took the thorn of the rose and stuck it into my body. They undressed me, the didn’t rape me because their wives were there…the women would tell the men what to do to me. And there was one who came with a handkerchief and took my tears running down my face.

They carried me around, put me on the table and stab the knife between my legs. And then one man took the pistol, put the bullet and put it my hand and held it to my head to see if I would really pull the trigger by pressing my hand. And I didn’t have any resistance. And then came another person who took the pistol and threw it out of the window”

“It was kind of a lesson…I’m standing there, just dressed in T-shirt and black jeans and these are the object. So you also can not do anything, so why are you doing this? What is the public’s limit to the artist? There are so many interesting questions posed for this performance. And to see how the public really lose control - that’s kind of frightening.

“What I learned was that… if you leave it up to the audience, they can kill you.” … “I felt really violated: they cut up my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the audience. Everyone ran away, to escape an actual confrontation.”

Read More X X

June 13, 2013

adapto:

Marina Abramović: The Artist Is Present

June 13, 2013

(Source: alternatindie)

June 13, 2013

(Source: inspirationtodailylife)

June 13, 2013

(Source: hausofduncan)

June 13, 2013

I can’t adopt him yet because his mother will not give me adoption papers, but he’s really family

I can’t adopt him yet because his mother will not give me adoption papers, but he’s really family

(Source: fuckyeahriccardotisci)

June 13, 2013

(Source: queenofpentacles666)

June 13, 2013

(Source: bunniesforlife)

June 13, 2013
holy-scraps:

From Bolero (2013) by Marina Abramovic, Sidi Larbi Cherkaoui and Damien Jalet
Photo: Agathe Poupeney

holy-scraps:

From Bolero (2013) by Marina Abramovic, Sidi Larbi Cherkaoui and Damien Jalet

Photo: Agathe Poupeney

June 13, 2013
labsinthe:

“The Contract” Riccardo Tisci and Marina Abramovic photographed by Dusan Reljin for Visionarie #60 “Religion”

labsinthe:

The Contract” Riccardo Tisci and Marina Abramovic photographed by Dusan Reljin for Visionarie #60 “Religion”

June 13, 2013

(Source: ghstcmmttee)

June 13, 2013
thediaryofjustintylerclose:

Marina Abramovic

thediaryofjustintylerclose:

Marina Abramovic

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